A00027 - Earl Lloyd, First African American to Play in the NBA

Earl Lloyd, in full Earl Francis Lloyd   (b. April 3, 1928, Alexandria, Virginia — d. February 26, 2015, Crossville, Tennessee), was a basketball player who was the first African American to play in the National Basketball Association (NBA).

In the spring of 1950 Lloyd, who played collegiate basketball at West Virginia State College, was the second black player to be drafted by an NBA team. Chuck Cooper had been chosen by the Boston Celtics a few picks before Lloyd’s selection by the Washington Capitols. Nate ("Sweetwater") Clifton, however, was the first African American to sign an NBA contract, joining the New York Knicks that summer. The schedule resulted in Lloyd being the first black player to take the court in an NBA game, on October 31, 1950. He scored six points in that first game.

Lloyd enjoyed a long career in the NBA and continued his pioneering role as a coach. After a brief stint in the army, he returned to the NBA, where he was a key player for the Syracuse Nationals (1952–58), helping the team win the championship in 1955. He finished his playing career with the Detroit Pistons (1958–60). He later rejoined the Pistons as the first African American assistant coach (1968–70) in the league and the second African American head coach (1971–72). He also worked as a scout for the Pistons. In 2003 he was inducted into the Naismith Memorial Basketball Hall of Fame. 

A00026 - Clark Terry, Master of the Jazz Trumpet

Clark Terry (b. December 14, 1920, St. Louis, Missouri - d. February 21, 2015, Pine Bluff, Arkansas) was a jazz musician who played trumpet and flugelhorn with a rare wit and a sense of melody and harmony that bridged the swing and bop eras.  Terry, who was one of the most expressive of modern jazz trumpeters, was also noted for his humorous singing.  He played trumpet (1942-1945) in the All-Star Fantasy Swing Band at Great Lakes Naval Training Station.  After World War II, Terry was featured in St. Louis with the George Hudson band before he toured (1948-51) with Count Basie's popular band.  While Terry performed in Duke Ellington's band (1951-59), his breadth of inflections and sound colors widened, most notably when he played the role of Puck in Ellington's Shakespearean suite  Such Sweet Thunder.  As the first African American musician to play (1960-72) in the studio band on NBC-TV's The Tonight Show.  Terry became popular by inventing slurred, garbled nonsense vocals, and his 1964 recording "Mumbles" was especially well known.  In addition, he led a quintet with trombonist Bob Brookmeyer, played in Gerry Mulligan's big band, and toured with Thelonious Monk's band.  Though Terry mostly led small combos, he took (from 1978 to 1981) his own Big Bad Band on around-the-world United States State Departmennt tours.  He recorded prolifically throughout his career and appeared on 905 albums as a leader or a sideman. The National Endowment for the Arts designated him a jazz master in 1991, and he received a lifetime achievement Grammy Award in 2010. Terry's autobiography, Clark, was published in 2011.  Though he lost both legs owing to diabetes, he remained an effective teacher, and the 2014 documentary film Keep On Keepin' On explored Terry's mentoring of a student. 

A00025 - Harold Johnson, Light Heavyweight Boxing Champion

Harold Johnson (August 9, 1928 – February 19, 2015) was a professional boxer. He held the World Light Heavyweight Championship from 1962 to 1963.

Johnson was born in Manayunk, Philadelphia. He started boxing while serving in the United States Navy and turned professional in 1946. He won his first twenty-four fights before losing a ten-round decision to Archie Moore in 1949. Moore would be Johnson's biggest career rival. Johnson rebounded with four straight victories, including a ten-round decision win against future Hall of Fame inductee Jimmy Bivins. 

Johnson's father, Phil Johnson, was also a professional boxer. Phil and Harold Johnson became the first father/son combination to not only fight the same fighter, but lose to him as well. Both suffered third-round knockout defeats at the hands of future World Heavyweight Champion Jersey Joe Walcott in 1936 and 1950, respectively. Harold lost after suffering an injury to the intervertebral disc in the small of his back.

After five consecutive wins, Johnson resumed his rivalry with Archie Moore, fighting Moore three times in a row between September 1951 and January 1954. All three went the ten-round distance. Johnson lost the rematch, won the rubber match and lost the fourth bout.

In 1952, Johnson split two fights with Bob Satterfield,  losing the first by decision and winning the second by knockout, and won a decision over heavyweight contender Nino Valdez. The following year, he defeated former World Heavyweight Champion Ezzard Charles by a split decision. Johnson would finally get a title shot eight years into his career in his fifth and final fight against Archie Moore in 1954. Moore was making the third defense of the World Light Heavyweight Championship. In an exciting fight, Johnson knocked Moore down in the 10th round and was ahead on the scorecards after 13 rounds. But Moore rallied, knocking Johnson down and stopping him in the 14th round.

Johnson outpointed Julio Mederos over ten rounds in 1954. The following year, they had a rematch in Philadelphia. Johnson collapsed after the second round and was carried from the ring on a stretcher. Tests later revealed that Johnson had been drugged with a barbiturate. As a result, the Governor of Pennsylvania suspended boxing in the state for 114 days and instructed the Pennsylvania Athletic Commission to launch a probe. Johnson said he started feeling ill in his dressing room after eating an orange that had been given to him by a stranger who said he was a long-time admirer. A chemical analysis of a piece of the orange showed no trace of a drug or barbiturate. The probe never did uncover who drugged Johnson or how the drug was administered. However, the commission ruled that Johnson knew he was not in condition to fight and should have reported that fact to commission officials on duty that night. He was suspended for six months and his purse was forfeited.

When the National Boxing Association (NBA) withdrew recognition of Archie Moore as World Light Heavyweight Champion for failure to defend, Johnson defeated Jesse Bowdry in 1961 by a ninth-round technical knockout to capture the vacant NBA title. In his first title defense, Johnson stopped Von Clay in two rounds. After defeating second-ranked heavyweight contender Eddie Machen by a ten-round decision in a non-title bout, Johnson successfully defended his title for a second time with a split decision victory over 4th-ranked light heavyweight contender Eddie Cotton. 

Johnson gained universal recognition as World Light Heavyweight Champion when he defeated Doug Jones in 1962 by a decision in fifteen rounds. He successfully defended the undisputed title once, outpointing Gustav Scholz in Berlin, then lost it to Willie Pastrano by a fifteen-round split decision in 1963. Johnson would never fight for a title again and retired in 1971 with a record of 76-11 with 32 knockouts.

Johnson was inducted into the World Boxing Hall of Fame in 1992 and the Internationals Boxing Hall of Fame in 1993.

Johnson was named the 7th greatest light heavyweight of the 20th century by the Associated Press in 1999. Three years later, The Ring magazine ranked Johnson 7th on the list "The 20 Greatest Light Heavyweights of All-Time" and 80th on the list "The 80 Best Fighters of the Last 80 Years." Johnson died at the age of 86 on February 19, 2015.

A00024 - Dorothy Dandridge, Singer and Actress

Dorothy Dandridge, in full Dorothy Jean Dandridge (b. November 9, 1922, Cleveland, Ohio - d. September 8, 1965, West Hollywood, California), was a singer and film actress who was the first African American woman to be nominated for an Academy Award for best actress.

Dandridge's mother was an entertainer and comedic actress who, after settling in Los Angeles, had some success in radio and. later, television.  The young Dorothy and her sister Vivian began performing publicly as children and in the 1930s joined a third (unrelated) girl as the Dandridge Sisters, singing and dancing.  In the 1940s and early '50s Dorothy secured a few bit roles in films and developed a highly successful career as a solo nightclub singer, eventually appearing in such popular clubs as the Waldorf Astoria's Empire Room in New York City.

Dandridge then won the title role in Otto Preminger's all-black Carmen Jones (1954), earning an Oscar nomination for best actress.  (Dandridge did not sing in Carmen Jones, however, the singing was dubbed by mezzo-soprano Marilyn Horne.)  Because she was an African American woman in a racially tense era, film offers did not come readily, though she did appear in Island in the Sun (1957), which dealt with miscegenation and costarred Harry Belafonte, as well as in The Decks Ran Red (1958), Tamango 1959), and Moment of Danger (1960).  One of her most important roles was Bess  in Preminger's handsomely produced Porgy and Bess (1959), starring opposite Sidney Poitier.  

In the 1960's, Dandridge's life and career were wracked by divorce, personal bankruptcy, and the absence of offers of work.  At age 42, she was found dead in her West Hollywood apartment, either the victim of an accidental drug overdose or a brain embolism. 

A00023 - Nat King Cole, Legendary Singer and Jazz Pianist

Nat King Cole, byname of Nathaniel Adams Cole, family name originally Coles (b. March 17, 1919, Montgomery, Alabama — d. February 15, 1965, Santa Monica, California), was an American musician hailed as one of the best and most influential pianists and small-group leaders of the swing era. Cole attained his greatest commercial success, however, as a vocalist specializing in warm ballads and light siwng.

Cole grew up in Chicago, where, by age 12, he sang and played organ in the church where his father was pastor. He formed his first jazz group, the Royal Dukes, five years later. In 1937, after touring with a black musical revue, he began playing in jazz clubs in Los Angeles. There he formed the King Cole Trio (originally King Cole and His Swingsters), with guitarist Oscar Moore (later replaced by Irving Ashby) and bassist Wesley Prince (later replaced by Johnny Miller). The trio specialized in swing music with a delicate touch in that they did not employ a drummer; also unique were the voicings of piano and guitar, often juxtaposed to sound like a single instrument. An influence on jazz pianists such as Oscar Peterson, Cole was known for a compact, syncopated piano style with clean, spare, melodic phrases.

During the late 1930s and early ’40s the trio made several instrumental recordings, as well as others that featured their harmonizing vocals. They found their greatest success, however, when Cole began doubling as a solo singer. Their first chart success, “Straighten Up and Fly Right” (1943), was followed by hits such as “Sweet Lorraine,” “It’s Only a Paper Moon,” “(I Love You) For Sentimental Reasons,” and “Route 66.” Eventually, Cole’s piano playing took a backseat to his singing career. Noted for his warm tone and flawless phrasing, Cole was regarded among the top male vocalists, although jazz critics tended to regret his near-abandonment of the piano. He first recorded with a full orchestra (the trio serving as rhythm section) in 1946 for "The Christmas Song," a holiday standard and one of Cole’s biggest-selling recordings. By the 1950s, he worked almost exclusively as a singer, with such notable arrangers as Nelson Riddle and Billy May providing lush orchestral accompaniment. “Nature Boy,” “Mona Lisa,” “Too Young,” “A Blossom Fell,” and “Unforgettable” were among his major hits of the period. He occasionally revisited his jazz roots, as on the outstanding album After Midnight(1956), which proved that Cole’s piano skills had not diminished.

Cole’s popularity allowed him to become the first African American to host a network variety program, The Nat King Cole Show, which debuted on NBC television in 1956. The show fell victim to the bigotry of the times, however, and was canceled after one season. Few sponsors were willing to be associated with a black entertainer. Cole had greater success with concert performances during the late 1950s and early ’60s and twice toured with his own vaudeville-style reviews,The Merry World of Nat King Cole (1961) and Sights and Sounds (1963). His hits of the early ’60s—“Ramblin’ Rose,” “Those Lazy, Hazy, Crazy Days of Summer,” and “L-O-V-E”—indicate that he was moving even farther away from his jazz roots and concentrating almost exclusively on mainstream pop. Adapting his style, however, was one factor that kept Cole popular up to his early death from lung cancer in 1965.

The prejudices of the era in which Cole lived hindered his potential for even greater stardom. His talents extended beyond singing and piano playing: he excelled as a relaxed and humorous stage personality, and he was also a capable actor, evidenced by his performances in the films Istanbul (1957), China Gate(1957), Night of the Quarter Moon (1959), and Cat Ballou (1965); he also played himself in The Nat “King” Cole Musical Story (1955) and portrayed blues legend W. C. Handy in St. Louis Blues (1958). His daughter Natalie is also a popular singer who achieved her greatest chart success in 1991 with “Unforgettable,” an electronically created duet with her father.

A00022 - Viola Liuzzo, Slain Civil Rights Activist

*Viola Liuzzo, a Unitarian Universalist civil rights activist, was killed.

Viola Fauver Gregg Liuzzo (April 11, 1925 – March 25, 1965) was a Unitarian Universalist civil rights activist from Michigan. In March 1965, Liuzzo, then a housewife and mother of five with a history of local activism, heeded the call of Martin Luther King, Jr. and traveled from Detroit, Michigan to Selma, Alabama, in the wake of the Bloody Sunday attempt at marching across the Edmund Pettus Bridge. Liuzzo participated in the successful Selma to Montgomery marches and helped with coordination and logistics. Driving back from a trip shuttling fellow activists to the Montgomery airport, she was shot by members of the Ku Klux Klan. She was 39 years old.

One of the four Klansmen in the car from which the shots were fired was Federal Bureau of Investigation  (FBI) informant Gary Rowe. Rowe testified against the shooters and was moved and given an assumed name by the FBI. The FBI later leaked what were purported to be salacious details about Liuzzo which were never proved or substantiated in any way.

Liuzzo's name is today inscribed on the Civil Rights Memorial in Montgomery, Alabama. 

A00021 - James Reeb, Fallen Hero of the Selma Marches

*James Reeb, a Unitarian Universalist minister, pastor, and civil rights activist, died from head injuries suffered .from being severely beaten while participating in the Selma Voting Rights Movement.

James Reeb (January 1, 1927 – March 11, 1965) was an American Unitarian Universalist minister and a pastor and civil rights activist in Washington, D.C. While participating in the Selma Voting Rights marches in Selma, Alabama, in 1965, he was beaten severely by white segregationists and died of head injuries two days later in the hospital. He was 38 years old.

Reeb was born on January 1, 1927 in Wichita, Kansas, to Mae (Fox) and Harry Reeb.  He was raised in Kansas and Casper, Wyoming.  He graduated from St. Olaf College and attended Princeton Theological Seminary in Princeton, New Jersey and ordained a Presbyterian ministers after graduation. 

A member of the Southern Christian Leadership Conference (SCLC), Reeb came to Selma to join protests for African American voting rights following the attack by state troopers and sheriff's deputies on nonviolent demonstrators on March 7, 1965. After eating dinner at an integrated restaurant March 9, Reeb and two other Unitarian ministers Reverend Clark Olsen and Reverend Orloff Miller, were attacked and beaten by white men armed with clubs. Several hours elapsed before Reeb was admitted to a Birmingham hospital where doctors performed brain surgery. While Reeb was on his way to the hospital in Birmingham, Martin Luther King, Jr. addressed a press conference lamenting the ‘‘cowardly’’ attack and asking all to pray for his protection. Reeb died two days later. His death resulted in a national outcry against the activities of white racists in the Deep South.

Reeb’s death provoked mourning throughout the country, and tens of thousands held vigils in his honor. President Johnson called Reeb’s widow and father to express his condolences, and on March 15  he invoked Reeb’s memory when he delivered a draft of the Voting Rights Act to Congress. 

In April 1965, three white men were indicted for Reeb’s murder; they were acquitted that December. The Voting Rights Act was passed on August 6, 1965.